The Epson Stylus Pro 7880 Inkjet Printer; A Pro 24” Model With New “Vivid” Inks
Jon Canfield, July, 2008
The Epson UltraChrome K3-series printers are a well-known and popular choice
for many digital photographers who are looking for quality prints with a good
archival life. So when Epson asked if I’d like to take a look at their
newest line-up, I was very interested in seeing what they had done.
The UltraChrome K3 ink set is pigment based, with a total of nine inks: photo
black, matte black, light black, light light black, cyan, magenta, yellow, light
cyan, and light magenta. With the exception of the Stylus Pro 3800, only photo
black or matte black can be installed at any one time. Changing between the
two inks requires flushing the ink lines and wastes a considerable amount of
ink (as much as $75 worth on a 24” printer). Because the 3800 has all
nine inks on-board, I had high hopes that the new line would follow suit. The
good news is that Epson is clearly moving in that direction. The bad news is
that it’s only in the newest 64” model, the Stylus Pro 11880. If
your needs and budget are more modest, you’ll still be swapping blacks
on the 17” 4880 ($1995), 24” 7880 ($2995), and 44” 9880 ($4995).
|
|
1—The Epson 7880 is part of the newest generation of Epson
pro printers. The biggest change is new print heads and reformulated
ink with vivid magenta replacing the previous versions. |
|
So, what changed then? Outwardly, nothing looks different on the new printers.
Epson sent a 24” Stylus Pro 7880 for review (#1), but these comments apply
to the 4880 and 9880 as well. There is still the same layout with four ink cartridges
on each side of the printer, and the control panel has the same button layout
as before. Roll feed is done in the same manner as before with a simple vacuum-feed
system to hold the paper flat during printing. The only obvious changes are
the addition of an Ethernet port as standard equipment, replacing the FireWire
port in the previous models, and in the inks. Epson has replaced magenta and
light magenta with “vivid” counterparts. These new vivid magenta
and vivid light magenta inks extend the color gamut in the blue and purple ranges
(#2).
|
|
2 —If you like blues and purples, you’re going to love
the new ink set. The 7880 has the largest color gamut of any printer
in this range of color.
All Photos © 2008, Jon Canfield, All Rights Reserved |
|
Although the new ink is the visible change, and does make an obvious difference
in prints, there are more changes under the hood that have improved print quality
as well. Epson has replaced the print heads with new technology first seen in
the Stylus Pro 3800, which greatly reduces the risk of nozzle clogging, and
improves the screening algorithm for better print quality with more detail and
color.
Setting Up The 7880
Like any pro-series printer, these babies are big. Don’t plan on unpacking
and setting it up all by your lonesome. Even the 4880, which can sit on a table,
is best handled by two people, but once you get into the larger sizes, you absolutely
need two or more to get the printer assembled and onto the included stand (the
7880 weighs in at about 110 lbs). It’s a straightforward process, thanks
to excellent documentation.
Once you have the stand assembled, you’re ready to put the printer on
the stand and begin charging the ink lines. The LCD control panel walks you
through each step of the process, making it nearly foolproof.
The printer ships with photo black ink only. If you plan to do much fine art
printing, I suggest you buy a matte black cartridge at the same time as the
printer, and install that during the initial setup. Remember that each time
you switch between matte and photo black you need to flush the ink line, consuming
expensive ink in the process.
After setup, you install the software. Epson includes drivers, a network configuration
program, and utilities to update firmware and manage paper, and to perform maintenance
like nozzle cleaning. These are all accessed through the LFP Remote Panel (#3).
|
|
3 —Epson puts all the printer maintenance controls into a
single location. From here you can do nozzle checks, update and
modify media settings, and update the printer firmware. |
|
If you’re on a Mac running Leopard (10.5), you’ll need to go to
the Epson website (www.epson.com/leopard)
to download updated drivers. The default drivers have very limited options—you
can’t select paper types, color management settings, or other critical
options until you update your drivers, so make this your first stop.
Using The 7880
Printing to the 7880 is very much like any other Epson printer you might have
used. If you’re printing from Photoshop, you should let Photoshop manage
color (#4), and select the appropriate paper profile there.
|
|
4 —For best results, let Photoshop manage colors. Be sure
to select the proper paper profile, in this example Epson Exhibition
Fiber, and turn off color management in the printer driver. |
|
In the print driver, be sure to select “No Color Adjustment” to
avoid unexpected results, and note that if you’re on a Mac there is a
new option, 16-bit color, that promises to improve output by sending more color
information to the printer, resulting in more accurate color and smoother tonal
transitions. Windows users will need to wait until Vista supports 16-bit printing
to take advantage of this feature (#5).
|
|
5 —You have several quality options in the print driver. For
general printing, I find the SuperFine setting provides excellent
results. For exhibition quality printing, I’ll choose SuperPhoto
for increased resolution. Also new, but for the Mac only at this
time, is a 16-bit printing mode. The improvement in tonal gradations
using this mode are very impressive. |
|
|
